Red Dawn

Red Dawn

Spokane, is the target of an invasion of parachute troops from North Korea in this remake of the 1984 John Milius-directed film, Red Dawn. A rag-tag team of teen-age guerillas calling themselves the Wolverines escapes to the woods and trains to become a “tiny flea that can drive a big dog crazy,” as proposed by the team’s leader, Jed Eckert (Chris Hemsworth).

The theme is a decision that each member of the team must make on his or her own regarding the fight: get involved and fight for home, family and country, or not. A subtheme is the reconciliation of Jed with his younger brother Matt (Josh Peck) who finally resolve their differences under the pressure of increasing by the enemy.

Underlying it all is the main theme: to tyranny.

Many of the action sequences are lifted from the original film including the ambush scene where one of the team members, Toni (Adrianne Palicki) baits some soldiers into chasing her around the corner of a building. They are met and gunned down by other team members who then ransack the bodies for their weapons and ammunition, giving them the additional firepower they desperately need to become the irritating flea on the back of the North Korean troops.

There is frequent reference to why such resistance, at the potential cost of their lives, is needed from the members. Jed said:

When you’re fighting in your own backyard, when you’re fighting for your family, it all hurts a little and makes a little more sense.

That’s our biggest advantage. For them, this is just a place.

For us, this is our home.

As the film develops, the by the Wolverines encourages those in town not already rotting in a POW camp to join them, and the film ends with a vision of increasing numbers of new recruits into the fight being encouraged once again to fight for family, home and country.

There were moments of clarity, and moments of incongruity. For instance, when Jeb saw a TV reporter reading his scripted version of what was happening, he recognized it for what it was: blatant propaganda as the news channels had been taken over by the invaders, and reached over and turned it off. Message delivered: the media is not to be trusted.

The opening scene of the attack by parachutists was a moment of astonishing unreality. Viewers were informed that these were North Korean troops. Really? How could that be? North Korea, a country that is so desperately poor that it can’t feed its own people or keep its lights on at night, has mounted an overwhelming attack all up and down the west coast of the United States? Where did the planes carrying them come from? Where were they staged? That unreality gradually faded as the movie developed its primary themes: to aggression by patriots, but it was jarring nevertheless.

There were scenes that viewers of the 1984 original movie would remember, including broadcasts by “Radio Free America” to various guerilla forces in occupied America with messages like “the chair is against the wall,” and the attack on the POW camp by the guerillas to free the townspeople being held there. This was reminiscent of the French Resistance during World War II when rag-tag groups of civilians organized to impede, delay and provoke disruption among German troops occupying France. Such groups planned, coordinated and executed acts of sabotage on the power grid, transportation facilities, and communications networks.

The incongruity of the opening attack scene was partially resolved when it was learned later that the invading army was originally to be from China but the Chinese raised such a stink that political correctness took over and the Chinese troops and their insignia were changed to North Korea’s.

Mainstream reviewers almost universally panned the film, with Rotten Tomatoes leading the way by saying that “The rebooted Red Dawn lacks the original’s topicality, but at least pays tribute in delivering the same short shrift to character development and general logic.” Time magazine critic Mary Pols called it “Friday Night Lights territory but without good writing or acting,” while Drew Hunt of the Chicago Reader wrote:

John Milius’s 1984 cult classic about teens battling a Soviet invasion has been reinvented as a Tea Party wet dream that offers a scathing (if completely illogical) indictment of the federal government.

Other reviewers were not so nice.

One reviewer who got it right was Dr. Ted Baehr, writing at his Movie Guide blog:

Red Dawn is a rousing, exciting war movie about Americans fighting for liberty…

Red Dawn is Pro-American, patriotic and anti-communist. It extols fighting for liberty. In one scene, it even mocks leftist attacks on American capitalism.

That said, the movie could have used some strong religious elements.

Also, Red Dawn has plenty of foul language, so caution is advised.

The film raises a number of questions including just how likely is an external invasion of America in these tumultuous and chaotic times? Would the Chinese mount such an attack if the opportunity presented itself? The communists controlling that vast country are no friends of America, and they continue to build a vast military naval force.

Another question is just how prepared the average American citizen would be in the event of such an invasion? The answer: not very. Even the characters in the film were surprised by the attack and it took them a long time even then to recognize the threat and begin to decide to react to it. And they were relatively well-prepared with a cabin in the woods stocked with food and munitions. How many Americans have made such preparations?

But the real question is: where else might such an attack come from? The question begs the answer: the government of the United States. As various federal agencies continue to arm themselves with military equipment and ammunition, that question might have already been answered by President Abraham Lincoln when he said:

From whence shall we expect the approach of danger? Shall some trans-Atlantic military giant step the earth and crush us at a blow?


All the armies of Europe and Asia…could not by force take a drink from the Ohio River or make a track on the Blue Ridge in the trial of a thousand years.

No, if destruction be our lot we must ourselves be its author and finisher. As a nation of free men we will live forever or die by suicide.

That’s the most important question raised by Red Dawn (2012).

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